Reviews

Elly Bailey

REVIEW: FRANK CARTER & THE RATTLESNAKES RETURN WITH NEW ALBUM ‘STICKY’

Frank Carter & The Rattlesnakes were on a high from playing their headline show at Alexandra Palace when the world went into lockdown just under a month later. They had gone from being one of the UK’s most exciting live acts to not being able to leave the house, filled with pent up energy and frustration and looking for a way to release it. And the new album Sticky, the fourth album from the band, is the result.

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Elly Bailey

REVIEW: England Screams, the debut album from Strange Bones

Strange Bones, the riots rave punks hailing for Blackpool, England, are a prime example of a band grafting their way to the top.

This band has been built on the DIY ethos of the punk scene, the energy of 90s underground raves, and the classic formula to make it big in the music industry: show up, do what you do best, and make sure people come back for more.

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Ruby Webb

REVIEW: Moses, Move On

“Move On” is the latest release added to the ever-growing repertoire of anthemic tunes by Moses. Produced by the legendary Gavin Monaghan; from this relationship comes something magical and “Move On” is further evidence of that.

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Margot Macleod

REVIEW: Ghost of Helags, We Came From Stars

“We Came From the Stars” is The Ghost of Helags debut album and is nothing short of a synth-pop dreamscape of drama, romance and escapism. Teresa Woischiski and John Alexander Ericson who make up the band as the singer-songwriters and producers hail from Sweden and are now based in Berlin. Woischiski and Ericson intertwine their Scandinavian origins with the hearty electronic sounds that have held up the music scene of their new home in Berlin. 

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Caitlin Hooper

REVIEW: Barely Passable, ‘Hindsight’

Barely Passable may be a fresh name, but they’re wasting no time in establishing themselves as true undiscovered gems in the retro-tinged pop renaissance. Their debut EP, appropriately titled Hindsight, is a joyful revival of floor-filling sounds gone by that’s just right for the post-Rona landscape.

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"Touch Me" by Marilyn Hucek - Review
Elly Bailey

REVIEW: Touch Me, Marilyn Hucek

American-Chilean, pop singer Marilyn Hucek has released her new single ‘Touch Me’, a sugary sweet song about love and female empowerment, just in time for Valentines Day.

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Kid Kapichi - Album Preview
Elly Bailey

ALBUM PREVIEW: Kid Kapichi, This Time Next Year

In 2018 they hit the ground running and haven’t shown any signs of slowing down yet. Having shared the stage with the likes of Frank Carter and The Rattlesnakes, Fidlar along with playing sets at some huge festivals like Reading and Leeds and Neighbourhood, Kid Kapichi has only been on the up, and they still continue to rise.

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Caitlin Hooper

REVIEW: The Young Hearts, ‘The Modern State’

After a smattering of EPs across over five years, rising punk band The Young Hearts have finally dropped their debut album. According to frontman Craig Lawrence, the plan for this year was to power through the struggles facing so many bands right now and release another EP, but “after realising it could be the final release […], we decided that an album would be the most productive way for us to say everything we wanted to”.

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