You have a podcast High Fidelity and a fanzine Cro Mag Non, what made you decide you wanted to explore other creative routes alongside your music?
It all came from the fact that this new venture was going to be a ‘follow up band’ to a previously successful one. That comes with many positive associations and some negative connotations. With that in mind, we wanted to distinguish and establish this band as its own entity with its own multi-faceted points of entry for whoever might come across it.
It also came from the delirious excitement of a fresh start. We could do anything we wanted to do and so decided to do EVERYTHING we wanted to do.
Furthermore, it’s proved to be a way of maintaining an open channel of communication with the people who take the time to tune in, listen, stream, read and watch our music, podcast, zine and video series (to whom we’re very grateful). During the last year of The Strypes, we started a tour diary series called ‘The Surprisingly Dull Adventures Of The Strypes’ and we were completely overwhelmed by the reception it received. It was shot badly, edited poorly and full of oily people in sweaty clothes but people seemed to enjoy the cheap, low budget nature of it. We wanted that incompetency to carry over into this new band but didn’t want to just target the simple vlog format. We wanted to expand into print and broadcast media and degrade them all beyond recognition. Hence, ‘Higher Fidelity’ and ‘Cro Mag Non’.
Do you have any plans to tour in 2021? (If corona allows).
Yes, we do! We have some EU festivals booked in October and after that, we’ll be doing a headline tour of Ireland in December. There are UK plans but we can’t say anything about it yet!
Anything else you’d like to add or plug?
Yes, we’d like to plug our recent Livestream show ‘The Many Faces Of We’, along with our podcast Higher Fidelity (and its accompanying single, ‘High Fidelity’).
We’d also like to plug in our laptop as it’s about to die.